Yomi is a yakuza henchman in Hiroshima. His boss is dying from cancer in hospital and the clan members are worried that his impending death will make their rivals move in on their territory. Yomi volunteers to kill the boss of a rival clan so that any idea they’ve got of trying to moving into their turf will be quashed. A plan is arranged that once the job is over Yomi will be picked up by the police should he survive. He tracks the rival boss to a bowling alley where he is having fun with his family which includes his young granddaughter. He manages to kill the boss but he isn’t so lucky in escaping and he is mown down in a hail of bullets by the boss’ bodyguards. He survives the ordeal but only just. He falls into a coma as he arrives at the prison hospital and wakes up 10 years later where many things have changed. His trusted friend Eto has moved to Tokyo and taken Yomi’s girlfriend Ayumi with him to run a Filipino prostitution ring. Eto has run himself into some debts and when Yomi comes to visit him he is kidnapped by those he owes money for. To the surprise of many people, Yomi decides he’d like to help Eto out. Everybody thought he’d kill Eto for stealing his girl. The Shinjuku yakuza hear about Yomi’s arrival in Tokyo and make him an offer that he simply can’t refuse by forcing him to work for them. In doing so, Yomi gets himself entangled in a situation which involves a corrupt cop and the Taiwanese mafia.
This is one of Takashi Miike’s earliest yakuza works and although this movie isn’t quite as extreme as what he would release later in his career, the viewer will quite clearly be able to see that some elements are beginning to come through (a yakuza is beaten up in the street by a Taiwanese mafia member who then urinates on his prone body before shooting his brains out!). If there’s one thing you can say about Miike’s yakuza movies they are entertaining as hell and so different to anybody else. Even a low budget yakuza movie such as this one by Miike is better than what many established directors can come up with in the genre. The plot is interesting about the Japanese yakuza having some issues with the Taiwanese mafia who are hoping to take over their rackets. The movie also has some quirky characters – a staple feature of Miike’s movies. The pairing of Yomi with a streetwise Filipino prostitute working for the Taiwanese mafia is a good one although there’s a twist in their relationship right near the end of the movie. You can see it coming a mile off that something is bound to happen between them.
If there’s one thing Miike doesn’t shy away from in his movies is in his depiction of violence against women. One scene features a young woman being battered in her apartment by a yakuza member. It’s a vicious prolonged assault which has the unfortunate woman being thrown down some stairs, getting her head smashed into a wooden door before it ends with her collapsing into a heap in her bathroom. It’s an uncomfortable scene to watch so be warned if you don’t like seeing violence against women. Was it necessary to have such a scene in the movie? Probably not as it doesn’t serve any purpose whatsoever but that’s Takashi Miike for you. He also ups the violence factor in the final third as the battle between the Japanese yakuza and the Taiwanese mafia spills out into the streets. The brutality of the Taiwanese gang members is there for all to see as the viewer witnesses a montage showing one member shooting one of the yakuza whilst dancing. You could only see something as bizarre as this in a Miike movie!
Hiroyuki Watanabe is great as the lead character Yomi. I don’t think I’ve seen him in anything before. He carries the role really well although all he has to do if I’m being honest is try to act tough but the same thing can be said about all of the cast members playing yakuza members. They’re not going to win any awards for their acting that’s for sure. Ruby Moreno is also solid as the Filipino actress playing the character of the prostitute that Yomi strikes up a relationship with.
Shinjuku Outlaws will never be one of Takashi Miike’s best movies but if you want to see the great man at the start of his career where he honed his skills as a storyteller and director, I’m sure this movie will more than satisfy anybody.
I’m sorry but there’s no trailer for this movie.
Sadako’s Rating: 3 stars out of 5