Feeds:
Posts
Comments

Archive for the ‘Drama’ Category

The_Witch_of_the_West_is_Dead_poster

Young teenage girl Mai decides to drops out of high school due to being an outcast. Her overworked parents send her down to her foreign grandmothers house in the countryside for a month so that she can reflect on her decision. Once there, the grandmother tells Mai that she’s a witch and that she can teach her the ways of being a witch. Thus begins a tale in which Mai learns about love and life…….

Contrary to the title of this movie, this story isn’t about Margaret Thatcher, the former UK Prime Minister who was called by some people The Witch Of The West! This is a lovely coming of age movie with stunning cinematography about a troubled teenager who gets an education on life from her wise old foreign grandmother. The reason behind Mai quitting school is pretty weak to be honest – she doesn’t like the clique culture at her school. Whilst it may seem to Western viewers to be a poor excuse, from what I’ve read and seen the bullying culture in Japanese schools by cliques seem to be quite intense leading to depression and in some cases suicide. I’ve gone over this in other reviews so I won’t repeat myself again. In Mai’s case she wasn’t bullied though she was an outcast because she hadn’t joined a clique. There’s a passing reference to racism in that Mai’s mother as she was a halfie had difficulties at school but this is quickly skimmed over and nothing else is mentioned of it probably because it’s a family movie. The movie’s message seems to be more about not passing judgement on people and enjoying life. Mai’s witches training isn’t what you might think it to be – no spell casting here ala Hogwarts. Her grandmother instead asks her to help around the house especially in making wild jam and tending to her herb garden. She also insists on Mai to create her own little sanctuary inside the woods – somewhere where she can relax and mull over things.

Drama and tension is kept at a minimum. Mai doesn’t get on with one of her grandmother’s neighbour – the gruff son of a jolly postman who makes catty remarks about her. This ill feeling is made worse by the fact that the grandmother’s hens are slaughtered one night in their coop and Mai discovers that the neighbour’s dogs are responsible. Mai seems to think that by telling all about this crime to her grandmother she will go round to sort them out but the grandmother doesn’t bat an eyelid and says that even if the accusation is true, storming round to point fingers at the neighbours won’t solve anything. The pair’s relationship is delightful to watch but storm clouds gather on the horizon and due to a misunderstanding they fall out and Mai is even given a slap across the face by her grandmother! The grandmother quite happily sits down in a rocking chair, puffs away on a cigar afterwards with not a care in the world about what’s happened which I found quite amusing! Even though they are still on speaking terms, the warm feeling between them is broken.

Witch of West screenshot

During this period Mai’s father comes round with news saying the family is moving away. Mai goes back with her father and says she will try and attend the new school there. There is no hug or pleasant goodbye between Mai and her grandmother. Things are left unresolved between them. 2 years pass by and Mai has settled down nicely at her new school but then comes dreadful news that her grandmother has passed away. Now Mai feels guilty at having not patched up their relationship and returns to the house to see her body. There is however, a message from beyond the grave for Mai from her grandmother. Even the gruff son of the postman who disliked Mai is nice to her by coming round and paying his respect for the gaijin woman who never said anything bad about him even though he never amounted to anything much.

Mai’s role is played by the pretty young actress Mayu Takahashi and it is Shirley Maclaine’s daughter Sachi Parker (who was raised in Japan from the age of 2 by her father) that portrays the grandmother under a lot of makeup to make her appear older than what she really is. The interaction between the pair which makes up a lot of the movie is great to watch and feels natural. Parker is probably the better out of the two. Her Japanese language skills is excellent but if you’ve grown up in Japan I wouldn’t expect her to be less than fluent.

I really liked this movie with it’s gorgeous cinematography of the woods in which Mai’s grandmother lives. It’s a shame the storyline didn’t elaborate more on the racial problems encountered by Mai’s mother when she was still at school and the underlying tension that existed between mother and daughter but otherwise this was a fine family movie with good performances from all the cast.

Sadako’s Rating: 3.5 stars out of 5

Read Full Post »

Akira Kurosawa Dreams

This isn’t what you would call your typical Akira Kurosawa movie, it’s a trip into his own dreams which is presented as 8 short stories. The stories are:

SUNSHINE THROUGH THE RAIN – a young boy wanders off into the woods despite the pleas of his mother. There he sees a group of magical foxes in a wedding procession of some sort. When he returns home, his mother tells him that the foxes want him to either kill himself or ask for their forgiveness. The boy then goes off in search of the foxes’ lair under a rainbow.

THE PEACH ORCHARD – A boy follows a mysterious girl into some woods where the spirits there curse his family for destroying their peach trees. When the spirits see how sorry the boy is, they perform a ceremony which allows him to see the peach trees one last time.

THE BLIZZARD – Two men walk bravely through a blizzard. As the cold threatens to overcome them with death, a snow witch turns up to torment one of the men.

THE TUNNEL – A former army commander is confronted by dead members of his old platoon after he walks through a tunnel.

CROWS – A man is thinking about the life of the artist Vincent Van Gogh. He enters a world inside one of the artists’ paintings and meets up with Van Gogh himself before walking around a colourful landscape.

MOUNT FUJI IN RED – A nuclear apocalypse takes place in Japan. Panic spreads amongst the survivors who contemplate whether to commit suicide or not?

THE WEEPING DEMON – Linked to the previous dream, a wandering man comes across a mutant. They talk to each other near some giant mutated dandelions about nature taking its revenge on mankind.

VILLAGE OF THE WATERMILLS – The wandering man comes across a Utopian place in a peaceful and beautiful village. After witnessing a ritual, he asks one of the village elders what is going on. He explains that the inhabitants of the village is living in harmony with nature.

akira kurosawa mt-fuji-in-red

It is hard to really know what Kurosawa is trying to tell the viewer in this movie. People can give their own interpretation about each of the dreams but it is only Kurosawa himself that can answer that question and he is no longer alive. It’s his most personal movie – perhaps it is about his journey through life or something else (some say it is all about mankind’s relationship with nature)? Whatever it is, some might see him as being a little bit too preachy in this movie. It isn’t the great man’s most accessible work either to movie fans – it’s a bit arty, too long and with some unanswered questions and symbolism in each story that may leave people frustrated. Each of the dream segments are interesting in their own way but if there was two that really stand out in my mind it would have to be the CROWS and VILLAGE OF THE WATERMILLS. Some critics have said that this movie is more style over story and I have to agree on that. The cinematography in some of the stories is outstanding. CROWS is a visual masterpiece awash with bright and vivid colours as the viewer is taken on a journey around Van Gogh’s art. The story left me awestruck. I’ve never seen anything so beautiful. Every frame in this story is like a painting. The part of Van Gogh was played by none other than Martin Scorscese. VILLAGE OF THE WATERMILLS has a good message to it about harmonising with nature instead of trying to destroy it. Some anti-nuclear rhetoric is quite easy to be seen in the 2 stories MOUNT FUJI IN RED and THE DEMON. The Mount Fuji story is depicted like a disaster movie and very effective it is as well. The acting in each of the stories is great though there’s never enough time for the main characters to be fleshed out.

Whether you like this movie or not, it is definitely one to experience if only for the technical brilliance of it all thanks to the help from George Lucas’ Industrial Light & Magic. It is probably the most imaginative movie that Kurosawa ever made. Well worth taking a look but I realise it might not be to everyone’s taste.

Sadako’s Rating: 4 stars out of 5

Read Full Post »

home the house imp

The Takahashi family consisting of mother, father, 2 kids and their elderly grandmother move to an idyllic thatched house in the country in Iwate prefecture. The father who is working for a food company has been shipped out there as his ideas for trying to sell something new didn’t work out in Tokyo. None of the family are happy at being there especially the mother and elder daughter though the father tries his best by saying it’ll be cheaper for them to live there. All have trouble adapting to their new way of life and it gets worse when strange things begin to happen for some family members. The grandmother keeps staring into the roof void of the house and then the children begin to see a young face appearing through the window. As things begin to get worse and the family are close to packing up and leaving, they discover the source of the problem………

Some viewers might say that this movie is like a live-action version of Studio Ghibli’s My Neighbour Totoro as the plot is
quite similar to it and some scenes in fact are uncannily familiar. Whereas that movie dealt with other worldy spirits of the forest, this one has a cute young imp as the troublesome spirit that bothers the family. The young imp is supposed to be a male character (but played by a little girl) who is lonely and plays mischevious tricks on the family like looking in through the window and making noises in the night but he eventually befriends the young boy of the house who sees him sitting on a small shrine in the house’s grounds. The spirit made the last owner of the house who was a foreigner to sell up in less than a year.

home the house imp screenshot

The movie doesn’t necessary focus just on the young imp. The viewer sees how each family member tries to integrate themselves into the local community (the young boy trying to join a local football team and the daughter being invited to the school’s swimming team). The father is also vindicated of his past failures when he persuades a local catering firm in trying out his latest food fads and finds they’ve gone down well with the workers. Just as the family feel like they’ve settled down in their new home and things have turned a corner for each of them, the father is asked to go back to Tokyo and work once more in the company’s head office. I really did think the movie was going to have an ending where the father turns down the offer and wants to stay at their new place but that doesn’t happen. The one thing that confused me about the movie was the young imp itself. It is thought to be the spirit of the grandmother’s brother who died when he was young – bit of a coincidence that he should turn up at the house when the family has no previous connection to the area. Nothing is really explained why he is there.

This is unashamedly a feel-good family movie with hardly any real drama as such. The cinematography showing the stunning Iwate countryside (forests/lush green fields) is fantastic and the house the family share is in such a beautiful location I wouldn’t mind living in the place myself. Director Seiji Izumi isn’t that well known outside of his home country (and I’ve never seen any of his other movies) but I really did like what he achieved with this movie. Apart from the lovely Ai Hashimoto who plays the daughter of the family, I didn’t really recognise anybody else of the main cast though they all perform very well in their roles.

Overall, this is a charming movie to watch on a lazy Sunday afternoon which leaves you with a smile at the end. Definitely worth a look.

Sadako’s Rating: 3.5 stars out of 5

Read Full Post »

Professorandhisbelovedequation

A young maths teacher nicknamed Root (due to his square looking head!) starts his new post at a high school. In order to introduce himself to his new charges, he starts to tell them a story about how he fell in love with maths. His mother Kyoko, a single parent began to work as a housekeeper for a maths Professor by his sister-in-law. The Professor though had a unique health problem – he could only remember things for about 80 mins due to a car accident that happened to him. Everything after 80 mins he forgets so Root’s mother has to introduce himself to the Professor each and every day. Despite this problem, the Professor still managed to excel at maths. Gradually, Kyoko brings her son Root to see the Professor and the 2 develop a friendship through their love of baseball and Root soon begins to understand maths by his new friend.

I’ve got to admit that I hated maths as a subject at school but watching this movie you begin to understand that there’s a certain magic about numbers. I wish I had a teacher at high school like Root who makes the subject not only easier to understand but also makes topics such as prime and perfect numbers rather interesting and accessible. You don’t have to be good at maths to enjoy this movie though – it’s more or less a gentle drama told via flashbacks about a close and genuine friendship between three people, forming a bond like a family and showing the viewer how the Professor applies maths in everyday situations to live his life. Director Takashi Koizumi who honed his art serving as an A.D on Akira Kurosawa’s last 5 movies is famous for his slow burning stories and this one is no exception. The nice slow pace is perfect for this kind of story. Don’t expect any gripping drama to take place in the story although the friendship between the trio is temporarily broken during the final third of the movie by the Professor’s sister-in-law who becomes jealous of their close ties and fires Kyoko. Thankfully though the trio is reunited in a moving finale to leave the viewers at the end credits with a feel good factor without the use of melodrama.

The subject of the Professor’s mental illness is treated with respect throughout the movie. In order to remember important things, he pins notes on his jacket and stuff on his blackboard to remind himself. The core trio are all very likeable characters. The Professor has had many different housekeepers looking after him before but they all left having found it difficult to cope with his illness and having to re-introduce themselves to him each and every day. Kyoko though is different to the rest. She is kind, understanding and most of all has the patience to deal with the Professor and his moods. Root and the Professor bond over baseball and it’s the Professor that gives Root his life-long love of maths and treats the young boy like his own. It’s clear to see that the Professor has been living a lonely life since the accident and this new family unit he’s been given reinvigorates his zest for life.

professor2

Eri Fukatsu is one of my favourite Japanese actresses and she is fabulous in this movie as the Professor’s housekeeper Kyoko. I don’t think the casting people could have picked anybody better than Eri for this role. I also really loved Akira Terao as the Professor who manages to capture not only the friendly nature of the character but also the sadness he has due to his mental illness. Rounding up the trio is Ryusei Saito as young Root who is such a good child actor. The interaction between Root and the Professor is sure to bring a smile to one’s face.

Overall, this is an entertaining movie that you can’t help but like. Don’t be put off by the fact that the subject of maths is prominent in the story – you may even learn something from this movie!! It’s a superb movie to watch with beautiful cinematography, a great minimalistic story with a meandering pace to it and lovely characters you’d like to meet in real life, I would say it was one of my favourite Japanese movies I watched in 2014. A must-see.

Sadako’s Rating: 4.5 stars out of 5

Read Full Post »

The-After-Dinner-Mysteries-

Reiko Hosho is the daughter of a wealthy industrialist and a rookie police detective who is assisted from the shadows by her butler Kageyama who is the picture of being a model servant in front of people but quite sharp in his tongue towards Reiko in private. Reiko and Kageyama board a cruise ship which is en- route to Singapore. It isn’t long before a body is seen falling into the sea and it’s discovered that the man in question has been murdered and had many enemies. Reiko’s boss Detective Kazamatsuri decides to solve the case as he is on the ship guarding a priceless artefact to it’s new home in Singapore. Reiko and Kageyama also decide to find out who the murderer is. Soon more bodies turn up but with 3000 people onboard the ship how can she narrow the suspects down. Are the murders linked to a master criminal named Phantom Soros? Reiko and Kageyama must capture the murderer before the ship lands at its destination.

This is the spinoff movie from the popular 2011 drama series by Fuji Television. It isn’t essential that you’ve seen the series to enjoy this movie as it’s a standalone story and there’s a handy introduction to the main players right at the start. It’s easy to see that the budget has been increased from the series for this movie with part of the filming taking place in Singapore and also on a real luxury cruise liner. All the regulars from the series return to reprise their roles.

After Dinner Mysteries screenshot

The movie mixes comedy, drama and suspense but it’s the comedic aspect that stands out the most. It tends to feel at times like an Agatha Christie mystery played out like a spoof and instead of concentrating on just Reiko and Kageyama trying to solve the murders, there are other sub-plots with other characters introduced such as a pair of bumbling thieves who plan to steal the artefact guarded by Detective Kazamatsuri. These subplots all come together in the thrilling climax. I can also see some aspects of Detective Conan in the movie too – Kageyama with his glasses looks like Conan and is superior in his sleuthing skills than anybody else, Reiko plays the Ran role while the arrogant Kazamatsuri who thinks he’s brilliant at being a detective is similar to Ran’s father Mouri. The gelling of slapstick comedy and detective drama works surprisingly well. As there are so many sub-plots taking place, there is a lot of information to take in for the viewer but not too much for anybody to become lost with the story. As with many Japanese mystery movies, there are several twists and red herrings to keep the viewer on their toes and the unveiling of the murderer will keep you guessing until the end which unfortunately is rather cliché ridden.

Keiko Kitagawa plays the wealthy heiress Reiko in a goofy kind of way. She’s taken on a similar type of role before such as the dorama Mop Girl so if you like seeing her pull funny faces and be a damsel in distress then you’ll enjoy her in this movie though I suspect some might find her character a bit annoying. Arashi member Sho Sakurai is Reiko’s foil as her faithful but sharp-tongued butler Kageyama who is never afraid to put Reiko in her place in private but in public has to put on his diligent servant persona. It makes for amusing viewing seeing the bickering that goes on between Reiko and Kageyama and it’s obvious that Keiko and Sho are enjoying themselves in their roles. Both of their characters are even taken out from the ship for a while as the murderer makes sure they are put in a lifeboat and sent overboard. They eventually land on a small island before they are rescued rather conveniently by the authorities. Of course it’s all rather far-fetched but do remember that the movie is never meant to be taken seriously. One of the most notable guest stars taking part in this movie is Naoto Takenaka as a thief. I didn’t really recognise him at first, it’s his voice that gave the game away.

All in all, this is a hugely entertaining murder mystery movie. It’s got drama, moments of danger, good comedy, a fine cast and an exciting story. Fans of the drama series will have a fun time reuniting with characters they love but even those not familiar with the drama like myself can still enjoy this movie. Recommended.

Sadako’s Rating: 4 stars out of 5

Read Full Post »

Journey to the west

In a small village by a river, a mysterious large demon creature attacks the father of a young child which is then killed by a fake Taoist priest. The creature is revealed to be a manta ray and is proclaimed dead by the priest. A demon hunter named Sanzang appears on the scene warning that it is not the real demon that attacked. His pleas are ignored and he is captured and tied up in ropes high above the river. The demon creature comes back and kills a number of villagers but thankfully Sanzang who is able to release himself manages to beach the creature which turns into a man. Sanzang begins a ritual by using a book of nursery rhymes and singing to the man. The man becomes agitated and attacks Sanzang. Another demon hunter, a female warrior named Duan enters, capturing the man inside a blanket and turning him into a puppet. Sanzang isn’t happy at being upstaged by Duan and complains to his master who tells him that his way of trying to pacify the demon and reforming them is good. He is ordered to try and tame the Monkey King demon who has been trapped by Buddha. During his travels he becomes entangled again with Duan after battling a pig demon in a restaurant. After days of travelling he finally finds the Monkey King but not before being captured by Duan’s gang, rejecting her advances and battling the injured pig demon again. Will Sanzang be able to tame the Monkey King or does the demon have a trick or two up his sleeve?

Those of a certain age in the UK will remember a TV programme during the late 70’s/early 80’s called Monkey. It was a dubbed version of a Japanese programme based on the Chinese novel Journey To The West. This movie isn’t a new version of that story but rather a prequel of how the main characters got together. It’s directed by Hong Kong comedy legend Stephen Chow who it seems now is content to be behind the cameras rather than in front of them. Perhaps with his movie CJ7 not being as successful as he thought it might be maybe he doesn’t want to act again? Then again I’ve heard that he has some politicial ambitions so that could be the reason for his scaling down of movie activities? Chow has covered Journey To The West before in the 2-part comedy movie A Chinese Odyssey. His trademark OTT action, romance and humour is prevalent throughout this movie – he might not appear on screen but everything from the comedy to the great action scenes is quintessentially Stephen Chow. The lead character of Sanzang would have been ideal role for him. The Journey To The West story has been done many times over the years but Chow somehow manages to make it feel fresh even though it does get bogged down in the middle section when it focuses more on Duan trying to seduce Sanzang which gets incredibly ridiculous and boring too.

journey-to-the-west-conquering-the-demons

There’s a memorable start to the movie with a fantastic and imaginative choreographed attack on a small village by a water demon which is really exciting to watch as Sanzang tries to rescue a young girl from being devoured by the demon. It does go on for a little bit too long but it doesn’t half hook you into the story. The scene leads you to believe that the danger has been eliminated by a fake priest when a manta ray is killed so when the real demon does appear it’s more of a surprise to the viewer. The same technique of showing red herrings to the viewer is used again in the instance of the pig demon and the Monkey King. A lot of symbolism is used in the movie which is lost on myself as I don’t know a lot about Chinese mythology. It probably makes a lot of sense to Chinese people but to Westerners they won’t have a clue what they’re on about. There are a couple of excellently staged action scenes which culminates with a battle between The Monkey King and Buddha after the Monkey King tricks Sanzang into freeing him from the cave in which he’s been imprisoned for 500 years and he’s not too happy about it. Production values for the movie is quite high with plenty of money having been thrown at it as the CGI effects is very good. It matches what you might see in a Hollywood movie. It’s only right at the very end the viewer sees characters they recognise as Sanzang becomes Tripitaka the monk and he along with Monkey, Piggsy and Sandy (3 ex-demons seeking enlightenment) begin their journey to the West to recover some sacred texts for Buddha. Perhaps Stephen Chow will continue the story in a future movie?

It’s up to Wen Zhang to carry the movie as it’s leading character Sanzang and he does extremely well. Sanzang makes for an instantly likeable character with his vulnerabilities. Zhang is able to do comedy and action effortlessly, exactly like Chow used to do. I wonder if Chow showed Zhang how to play Sanzang as he would have done it? For Sanzang’s female foil, Chow employed the beautiful Shu Qi as the aggressive demon hunter Duan. Both Zhang and Qi bounce off each other so they’re a good combination together. It’s very easy to believe that Duan is an effective demon hunter with the way she dispatches them violently. She tries to get Sanzang to love her but he’s so devoted to being a monk he cannot reciprocate her feelings which leads to all kinds of troubles in their relationship. Huang Bo is superb and makes for an engaging villain as the sly Monkey King.

Overall, this was an excellent action comedy with a lot to enjoy for Stephen Chow fans. He can still churn out a good movie even though he might not be acting in it and the mix of action, drama and comedy is perfect. I only hope Chow fans like myself won’t have to wait so long for his next project and that he can be coaxed to actually appear on screen next time. We wait with baited breath! Highly recommended.

Sadako’s Rating: 4 stars out of 5

Read Full Post »

Haru’s Journey (2011)

haru's journey poster

In a small fishing village somewhere in Hokkaido, 19 year old Haru has lived with her grumpy grandfather Nakai Tadao, a fisherman before his retirement since the death of her mother five years ago. However Haru decides to leave Hokkaido and head to Tokyo to look for work after the school in which she does the catering will close down. Tadao isn’t very happy about this at all but agrees that he and Haru should take a journey to see if his siblings will take him in as he cannot look after himself. The first stop is to visit Tadao’s elder brother but tension soon rears its ugly head between the pair and besides he’s about to be carted off to a retirement home so the visit ends in failure. His next port of call is to see his younger brother but gets only to see his wife who has no idea of his whereabouts since he was released from jail. Tadao’s elder sister is the next destination for the pair. She runs a small hotel. While she’s only too happy to give Haru a job, she refuses to give Tadao a room for him to stay as she believes him to be too lazy and selfish. Haru refuses to abandon Tadao so off they go to see another of Tadao’s younger brother. Haru also decides that before they head back home to Hokkaido she would like to see her long-lost father who suddenly left Haru’s mother (and contributed to her suicide).

This movie starts with a scene showing Tadao storming off from his ramshackle hut in Hokkaido with his granddaughter in tow. The viewer has no idea what has gone off between them but we know that Tadao is very pissed off. Thus begins a road trip down South to Honshu by train going from place to place between the two. The story is about family dynamics but there’s also a social commentary here about the growing problem that faces Japan with the elderly population on the rise. At first the viewer might think of Tadao as a cantankerous and unpleasant character who has temper tantrums but over the course of the movie we see him mellowing a bit and his relationship with Haru develops further to the point that by the end we can see that it would be foolish for the pair to split up. They depend on one another and also understand each other a bit better by the end credits. It is obvious that Tadao doesn’t have a good relationship with any of his siblings – a combination of being selfish and stubborn over the years hasn’t endeared himself to them at all. If he thought he was going to get welcomed back with open arms by them – well that doesn’t happen at all and none of them are willing to let him stay with them! In fact it would be right to say Tadao’s siblings seem a little pleased that he’s now forced to beg for their charity.

HarusJourney2

If what I’ve said so far makes you think this movie is all about Tadao then you’d be wrong. The story also delves into Haru’s sad background and how the absence of having a father figure in her life has affected her mentally. There’s a powerful heartbreaking scene in which Haru confronts her father at his home about why he left her mother those years ago. This brings some closure about the circumstances of her mother’s death but it doesn’t as some might assume bring father and daughter any closer together at all. Tadao is given the opportunity by his son-in-law’s kind wife to stay at their place but he and Haru decide to run off quietly from the place. What’s wonderful about this movie is the interaction between Tadao and Haru. They may argue a bit but deep down they care for each other a lot.

Japanese cinema legend Tatsuya Nakadai gives one of his best performances as the stubborn Tadao who refuses to swallow his pride and has no regrets about what he’s done over the years. Even in his advanced years Nakadai still commands the screen with his presence. His co-star Eri Fukunaga is equally as good though she has to play down her usual beautiful self to look more plain looking as Haru. She isn’t relegated to being a bit-part player on screen by her co-star Nakadai. It’s funny seeing the way the pair of them walk around the streets of Japan – Tadao with his limp and Haru with her unnatural gait. The strong supporting cast complement the 2 main characters very well such as Chikage Awashima who plays Tadao’s no-nonsense elder sister who can see through his bluster and is very kind to Haru. Teruyuki Kagawa is also brilliant in his short role as Haru’s father who deep down feels guilty since her mother’s death, knowing full well that his leaving made her commit suicide.

All in all, I thought this movie was a masterpiece with a moving story, the characterisation is marvelous, lovely cinematography and a fantastic cast. Never once does the story drag even though it is slightly over 2 hours long. I highly recommend this movie.

Sadako’s Rating: 4 stars out of 5

Read Full Post »

Older Posts »