Set in a barren, post apocalyptic Tokyo of highways and wastelands, a rowdy group of punk bands and their fans gather to protest the construction of a nuclear power plant. Riot police and the factory owner’s yakuza friends soon move in to break it up. However, the arrival of a pair of mysterious, metal-clad bikers and a revolt among the disgruntled construction crew makes for a situation that spirals dangerously out of control…
This is an experimental and absurd cyberpunk movie from Japan. By now you should know my views on cyber punk movies. They’ve been more miss than a hit with me and unfortunately this is yet another miss. I have no idea to be honest what the hell is going on in this movie. The movie’s style itself is very innovative, unique and for something that was made on no budget, its a rather remarkable achievement. The soundtrack is loud and 80s Japanese punk is possibly the most nihilistic lyrically. Some people have commented that this movie is like Mad Max on speed!
Unfortunately, attempting to sit through this thing is a whole different deal. While its innovative, its not particularly well made. The frenetic cinematography induces headaches more than tension. Also, there’s really no characters or storyline to speak of, which makes this very hard going for two hours. If this was only an hour long it could’ve been much more effective. At nearly twice that length though, it becomes very tiresome quickly. I couldn’t wait for this nonsense to end to put me out of my misery. This movie was apparently a big influence on Takashi Miike.
For those that want to see the origins of the cyber punk genre which would evolve with the likes of Tetsuo later on in the 80’s then you will enjoy the movie. The rest will think it is just strange and weird. I certainly didn’t like it and thought it was pretty awful but I might be in the minority here?
Sadako’s Rating: 1.5 stars out of 5