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Posts Tagged ‘Thriller’

A_Night_in_Nude_Salvation

Jiro is a man who can do anything for you for a price. A handyman and part private eye he takes on tasks as simple as clearing out storage lockers to tracking down lost items. That’s what he’s asked to do by a beautiful young woman who shows up at his warehouse living space one afternoon. This young woman asks Jiro to help her track down a lost Rolex watch that she says was accidentally thrown out of a helicopter while she was scattering the ashes of her late father. Jiro knows the story isn’t true, but he needs the money so he and the young woman begin poking around miles of woodland in the proverbial search for a needle in a haystack. Miraculously Jiro finds the wrist watch, but it looks to be caked in rotting meat. Needy but not stupid Jiro hands the watch over to a sympathetic police woman he knows for analysis. Little does Jiro know that the discovery of this Rolex will lead to another case, one filled with violence, sex and danger, one that will lead him directly into the heart of darkness.

The first Night In Nude movie was a bit of a guilty pleasure for myself. It’s gritty noir storyline which took the viewer into the seedier side of Tokyo made for an interesting viewing experience so when I had a chance to take a look at the 2010 sequel (made 17 years after the original) I wondered if this one would be quite as good or not. I’m delighted to say it was and in director Takashi Ishii’s capable hands once more it provides an even darker mystery/thriller storyline which involves child abuse and is disturbing to say the least. This isn’t a direct continuation of the plot from the original movie at all. Naoto Takenaga is back as Jiro who is still taking on jobs that no-one else wants to lay their fingers on. In this story he helps a young femme fatale prostitute named Ren who plays the damsel in distress and who needs Jiro to find a rolex watch. He is given a bullshit story about having ashes containing the watch from a relative of Ren’s dropped in the sea of trees around Mount Fuji by helicopter without knowing the full story of how she, her sister and mother murdered a drunken client of theirs in cold blood and dismembered the corpse by grinding it before disposing the lot. This isn’t the first murder Ren has committed with her sister and mother in which they cash in on the deceased’s life insurance policy. After Jiro is successful in finding the watch he’s given another case by Ren to find a missing prostitute named Tae not aware how close he really is to the person he’s after. Thus begins a dangerous path for Jiro which takes him on a journey involving 3 murderous prostitutes where he makes the mistake of falling for Ren. He gets in too deep when the trio plan on killing Ren’s abusive father in order again to cash in on his life insurance policy and the viewer begins to wonder how the hell he can get out of this conundrum he’s put himself into. To say he’s a little naive is a bit of an understatement but is in keeping with his character from the first movie. Whilst the story doesn’t break any new ground, it’s in the way that director Isshi has crafted the movie using his trademark techniques that really stands out. I do like how lighting and darkness is used very effectively in some scenes and the visual effects is quite impressive. Isshi is well known for his movies which involve a lot of sex and violence and he doesn’t shy away from showing plenty of full frontal nudity in the shapely form of former gravure idol Hiroko Sato as Ren with some graphic gore thrown in the opening 30 mins and a couple of explicit sex scenes as well.

a-night-in-nude-salvation screenshot

Naoto Takenaga turns in a solid performance as Jiro. It’s nice to see him not going OTT as he has done in a lot of the roles he’s been given. I thought given the amount of time that had passed since he played Jiro that he would have played him slightly different this time round but Takenaga slips easily back in character. It’s probably Hiroko Sato that stands out more than anybody in a difficult role as Ren who reveals her true intentions in the final third as she plans on killing her entire family and Jiro in a hidden cave system in the woods near Mount Fuji. Yep, Jiro has been suckered and manipulated by a woman just like before. Ren goes a little bit loopy near the climax with her weapon of choice – a taser gun which she goes around zapping her family and the viewer is shown a long drawn out sequence in which Ren imagines she’s naked in the caves and whipping herself to try and forget the pain she endured at the hands of her father who sexually abused her as a little girl and which has made her hate all men. Her psyche has been damaged by what she’s gone through. The rest of the cast aren’t used all that well which includes a female police officer who is tracking Jiro by his mobile phone and suspects that he’s involved with something but she’s not sure what. I hardly recognised legendary Japanese actor Joe Shishido who plays the most sleaziest character in the entire movie as Ren’s father.

If you enjoy watching movies that takes a look into the dark side of humanity and the underbelly of Tokyo that the majority of people won’t be familiar with then you will enjoy A Night In Nude: Salvation.

Sadako’s Rating: 3.5 stars out of 5

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Memories-of-Murder-dvd

1986 Gyunggi Province. The body of a young woman is found brutally raped and murdered. Two months later, a series of rapes and murders commences under similar circumstances. And in a country that had never known such crimes, the dark whispers about a serial murderer grow louder. A special task force is set up in the area, with two local detectives Park Doo-Man and Jo Young-Goo joined by a detective from Seoul who requested to be assigned to the case, Seo Tae-Yoon. Park personifies the policeman who goes with his instincts and his fists, bloodily challenging every small-time crook in the area to confess. In contrast, Seo pores over evidentiary documents related to the case and inevitably the clash of styles leads to tense rivalry. From the fact that not a single hair is ever found at the scene, Park takes off to search the area’s temples and public baths for men with pubic hair disease, while Seo finds a pattern in the evidence of women wearing red on a rainy day as the victim’s profile. On a rainy day, the detectives set up a trap in order to forestall another murder. The next day however, yet another woman is found murdered. The solution to the murders grows fainter and drives the detectives to ever greater despair.

I will go on record here to say this is probably the finest Korean movie I’ve ever seen. It’s a masterpiece. Powerful, gutwrenching, even humorous at times with a taut script, this movie about South Korea’s first ever serial killer is one that nobody will ever forget after watching it. It’s also based on a true story in which 3000 suspects were questioned and 1.8 million cops were involved according to the prologue. Despite the police’s best efforts, the killer was never found and is still at large in South Korea. It seemed the killer was calculated, meticulous and always one step ahead of the police in everything he did. The story begins in 1986 with the discovery of a woman’s body with her hands tied in a drainage culvert, this sets off a chain of events in which more victims turn up. Each victim has been strangled by their own stockings. The two local detectives on the case including their chief are clearly seen to be completely out of their depth. They also don’t seem to have a clue as to how to keep a crime scene clean until the forensic team arrive with kids and even tractors trampling over vital evidence. Enter Detective Seo Tae-Yun from Seoul who provides a different approach to the case. Instead of using brutality to coerce a confession out of suspects, he uses a more rational way of trying to find the killer. It’s inevitable that he and the local detectives clash. But even with Seo Tae-Yun on board with some clues being found, it becomes apparent that the police force is becoming desperate to nail this sadistic killer. Pinning their hopes on a man with smooth hands after a confession from a female victim who wasn’t killed and the fact that he sent a request for a song ‘Sad Letter’ to be played on the radio on every night a woman is killed, the 3 detectives begin to investigate him. With some evidence sent to the US for verification because South Korea didn’t have DNA testing at the time, they hope that it will prove without a shadow of a doubt that this is their man.

memories-of-murder screenshot

The story is so engrossing and compelling. It sucks you right into the investigation and you definitely feel the frustration of the detectives building up as more bodies turn up. It might not have the Hollywood theatrics of Se7en or The Silence Of The Lambs but don’t believe for a second that this movie is inferior to them in any way shape or form. The movie also gives a good history lesson about the state of South Korea during the mid 80’s when it was still under a military dictatorship with martial law being declared at night with an air-raid siren going off, social unrest happening on the streets and schools participating in an emergency rehearsal in case of an attack by the North. Director Bong Joon-ho has crafted a fantastic suspensful thriller with beautiful haunting cinematography and an amazing soundtrackwhich keeps you on the edge of your seat throughout the 2 hours or so running time. If I had to pick out highlights from the movie it would come down to the fantastic chase scene during the night and a brilliant free-for-all brawl at a restaurant as tensions boil over from one of the detectives who has been suspended due to overuse of violence on a suspect. Don’t expect to find a happy ending to the story though there is an intriguing final scene at the location of the first murder.

The acting from Song Kang-ho, Kim Roe-ha and Kim Sang-kyung as the detectives on the case is excellent and it’s sad to see them fail in their task to being the killer to task despite giving their all to the case day after day. It’s interesting to see how the relationship between the 2 country detectives and the city detective develop as the story progresses. Initially there is a rivalry between them due to their differing styles of investigating – the country pair are either lazy or plain stupid as they blatantly frame suspects and play the good cop/bad cop routine in order to get a confession but all three men become bound together by frustration as each clue they find brings them no closer to catching the real suspect.

Memories Of Murder is an unmissable movie. It’s an exceptional movie in all aspects and I have no hesitation in highly recommending it.

Sadako’s Rating: 5 stars out of 5

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Byung-Gu is an ordinary young man living in Korea. He believes that all of the earth’s social ills are the evil doings of aliens. That’s why he knows that unless he can meet the prince from Andromeda before the total lunar eclipse, Planet Earth will be in grave danger. In order to meet the prince, he must find an extraterrestrial living on earth. So Byung-Gu kidnaps the most logical suspect, Kang Man-shik, the president and CEO of Yoojae Chemical Company. Thus starts the battle between Byung-Gu who’s trying to uncover a secret alien plot to destroy the earth and CEO Kang Man-Shik, who thinks Byung-Gu’s nuts and is trying desperately to escape. Only four hours until the total lunar eclipse. When the eclipse is over, the time will run out for Planet Earth. Can Byung-Gu singlehandedly save the planet?

This is a very interesting Korean movie which combines many genres into a potent mix all of it’s own. It’s one of those movies that only comes along every once in a while which is so unusual and unique that it just impresses you. The blend of comedy, psychological thriller, horror, police drama and satire works brilliantly. It never fails to surprise you and the movie easily switches from comedy in one scene to a nasty torture moment in a dank basement with a lot of blood in the next. The first 15 mins will give you an idea whether this movie is something you like or not. It might seem a little strange but once you get into the plot and the characters you’ll immerse yourself into this fantastic movie. Don’t let the DVD cover lull you into thinking this is some kind of wacky comedy because it is far from being that. The thrill in watching this movie lies in where it’s going to take you. It’s best to come in with an open mind, sit back and just enjoy the wild ride that unfolds. There are many surprises, some twists and original ideas thrown in. It isn’t a movie for everyone though and it’s certainly not to be seen by families. Some people will be turned off by the graphic violence and situations that take place but if you’re used to watching anything by Takashi Miike or Park Chan-wook then you should be fine with this movie. Director Jang Jun-Hwan paces this movie perfectly and the ‘is he or isn’t he an alien’ question is finally resolved at the conclusion. You’ll never be able to hear the song ‘Somewhere Over The Rainbow’ in the same way again after watching this movie.

The acting is incredible with an amazing performance by Ha-kyun Shin as Byung-Gu. Here we have an individual who is convinced that aliens have infiltrated this planet and have changed their genetics to resemble a human being that it consumes him. The aliens can apparently communicate back to their home planet telepathically by their hair strands! He sees it as his quest to thwart and overpower these aliens as he believes they were responsible for making his mother ill who is lying comatose in a hospital. He has kidnapped many individuals before because he believed they were aliens (13 before targeting Kang Man-shik) and taken them back to his mountain top lair where he straps them into a chair and begins torturing them for information on their true origins. Byung-Gu thinks the aliens will be able to withstand the punishment he gives them. It will be easy for the viewer to tag Byung-Gu as being mentally unstable. Given his violent behaviour towards Kang Man-Shik, you will still gradually begin to like and sympathise with Byung-Gu.

Funny, tense, horrifying and inevitably tragic,  Save The Green Planet is a thought provoking, challenging, disturbing but ultimately a very special and outstanding movie that shouldn’t be missed out by Asian movie fans. Highly recommended.

Sadako’s Rating: 4.5 stars out of 5

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A traffic accident changes several people’s lives forever. In capturing wanted criminal Cheung Yat-Tung, Sergeant Tang Fei is involved in a shootout and car accident that puts the criminal in a coma. But in the process he also cripples a fellow officer, and accidentally kills the elder daughter of public prosecutor and single mother Ann. The car in which the girl was travelling is hijacked by the criminals and she is shoved into the boot. Unable to handle the guilt, Tang Fei succumbs to a fog of pain. Ann, meanwhile, pours all her love and attention to her younger daughter Ling. Three months later, the criminal Cheung Yat-Tung awakens from his coma. Ann, who had been working hard on bringing him to justice, insists he stand trial immediately. Then Ling is kidnapped by one of Cheung Yat-Tung’s thugs Hung and Tang Fei is determined to redeem himself and set things right after past mistakes. Will he able to rescue the little girl before she is harmed?

This movie starts with a bang and for the most part delivers throughout with its mix of human drama and tragedy with excellent taut action sequences. Hong Kong police movies have always been popular in the territory and whilst the majority look slick and have enough entertainment to satisfy the average cinema fan, there’s usually no real depth to the stories. Beast Stalker though is different as it has some emotion in the plot. It doesn’t win any prizes on originality and some will even see it as being perhaps a little bit predictable but as a tense thriller there is much to like here. It’s a movie which shows that actions has consequences and this movie shows it very well indeed. The car crash near the beginning of the movie is handled impressively. The scene is shot so well and the slow motion images of the passengers inside one vehicle as it tumbles around is effective and is easily one of highlights of the movie. The structure of the story with it’s twists and turns is intelligent and compelling.

The two main male characters are fantastic in their roles. Nicholas Tse does a great job as the tortured cop who ruins not just Ann’s life with the death of her daughter but several others as well. It’s harrowing to see Tang Fei’s realisation that he’s killed a child as he opens the boot of the criminal’s car and finds her body inside. Ultimately it’s not Tse thats the stand out actor in the movie but Nick Cheung as the one-eyed kindapper Hung. He doesn’t play the role as an OTT villain but comes across as a real person. The reason why he’s kidnapped the little girl Ling is revealed as the plot unfolds and again it links to the car crash. He comes across as quite a menacing person even though some viewers will have some sympathy for his plight. Suet-Yin Wong is absolutely adorable as Ling who proves to be a bit of a smart kid even when in danger.

Director Dante Lam excels with this movie and provides plenty of excitement alongside the drama to keep the viewer interested. There’s a car crash, some fist fights, gunplay and foot chases so action fans should be satisfied with what they see. The way that Lam manages to combine the emotional turmoil of the plot with the action has to be commended.

Overall, The Beast Stalker is a well written and hard-hitting tale about a man seeking redemption and whilst it isn’t perfect and has some flaws it’s certainly worth your time and effort.

Sadako’s Rating: 3.5 stars out of 5

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Togawa is a man sprung from jail 2 years earlier than expected by a man called Ito. Ito along with a yakuza boss has paid big money to have Togawa released from prison (he was serving a sentence for killing a trucker who had crippled his young sister). Ito wants Togawa to lead a team of 4 men to rob an armoured car which is carrying 120 million yen in money earnings from the Japanese Derby horse race. Togawa has been chosen for his reputation and skills. Even with the big pay off Ito is offering him he hesitates but he soon accepts when he finds out his trusted friend Shirai is a part of the team. The other 2 members is a boxer who was going to be a champion until he took a bung for a fight and a greedy gambler. The plan for the heist looks to be foolproof on paper and it all has to be done in 7 mins. But of course the best laid plans never go according to what they should be………..

This is a hard edged heist movie with all the standard elements in place here from a criminal asked to do one last job, the audacious plan to commit the perfect crime against a difficult target, the heist which goes wrong, the subsequent falling out between the team and the moral at the end that crime doesn’t pay. It’s a taut and thrilling movie thanks to a good plot, fast pace and the leading character played by chipmunk faced Jo Shishido. He plays Togawa with his usual aura of looking cool, some grittiness and machismo. The draw of the movie isn’t about the heist itself but of how it’ll inevitably go wrong. You can sympathise with Togawa in why he’s taking part in the heist. He might want to go straight but he feels responsible for the accident that hospitalised his sister. The money from the heist would go a long way to pay for an operation that could make her walk again. When Togawa explains the plan to his fellow cohorts, the viewer is shown what should happen in real time and it’s obvious that there are unforeseen circumstances that could easily derail the plan. In the duration of 7 short minutes the criminals have to divert the armoured truck down an alternative route, block that route so that other traffic doesn’t follow, shoot the motorcycle police escorts dead, hope the guards inside the truck come out so that they get killed as well as the truck’s glass is bullet proof and then finally load the truck onto a bigger truck before it is disposed of in a quiet location with all the bodies inside. Even when the heist doesn’t go according to plan, Togawa never expects to be betrayed by his employers and two of his team members who become greedy. Togawa is a man who believes in the futile notion of honor among thieves so this betrayal is very unexpected. It then becomes a battle of survival as he and his friend Shirai get involved in a number of gunfight skirmishes and try to escape with the money. It ends in something that could almost be described as a Greek tragedy.

This is an excellent example of a Japanese noir movie with brilliant acting by Jo Shishido and loads of exciting violent action. It’s directed well, the story is interesting and it looks great.

Cruel Gun Story might not be a classic movie in the Japanese noir genre but it has plenty of thrills and spills to keep any viewer entertained. Well worth seeing.

I can’t find a trailer I’m afraid.

Sadako’s Rating: 3.5 stars out of 5

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Monday (2000)

Takagi is a salaryman who suddenly wakes up on a Monday morning with no idea how he came to ending up in a hotel room. The last thing he remembers judging by the purification salt he has on him is attending a wake on Saturday. Things didn’t go too well at the wake as Takagi was involved in making the corpse explode in his coffin!! Sunday is a complete blank to him. Then some flashbacks come back which involves him getting drunk in a bar, a yakuza gang and a shotgun. As the fogginess from his brain starts to dissipate, the grim truth of what Takagi has done in his missing day becomes crystal clear!!

I’m not too familiar with any of director Sabu’s movies except Usagi Drop (he isn’t Indian BTW, he just chose an exotic career name – his real name is Hiroyuki Tanaka) but apparently the work he’s done over the years are fan favorites around movie festival circles and apparently he’s well known for his fantastic chase scenes though I wouldn’t be able to tell you having not seen any of his movies. This movie, a dark comedy thriller, was the 4th movie he directed (he was previously an actor). It starts out being very funny but as the movie progresses it gets very dark indeed. Think of Michael Douglas in Falling Down and you’ll get an idea of what Takagi gets up to. If you’re a fan of Takeshi Kitano’s movies I would think you would like this one as well. It’s got the same surreal comedy streak running through it. You’ll know after the joke involving a corpse and a pacemaker in the first 15 mins whether this is the kind of movie you’ll enjoy or not although it has nothing to do with the main plot. I thought it was comedy gold myself but others may not see it like that. I guess it depends on your sense of humour. The situations that the lead character gets himself involved in over the course of 1 day is hilarious such as the drunken sensual dance with the yakuza boss’ moll, his palm getting read by a gay fortune teller at a bar and the no hands urinating scene. The entire premise of the movie by Sabu is basically that people whilst drunk get up to many silly things. In Takagi’s case it’s your average salaryman empowering himself with a gun he managed to find at a yakuza den and taking out the trash of society. The movie falters a little bit near the climax as Sabu goes all preachy on us and delivers a serious message about guns.

I enjoyed Shinichi Tsutsumi’s portrayal of Takagi. I found his giggling demeanour whilst drunk a little bit annoying but his dark turn from being a cowardly salaryman to full on vigilante was great. There seems to be a lot of characters in this movie giggling and laughing. The supporting characters also give strong performances such as Yasuko Matsuyuki as the yakuza moll who enjoys the attention from Takagi.

Open-minded movie fans who can appreciate satire for what it is will get a kick out of this movie. The surreal nature of the plot might be a bit hard to swallow for a lot of people. On the basis of this movie alone I expect to be checking out more of Sabu’s movies in the future. Recommended.

Sadako’s Rating: 3.5 stars out of 5

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A police van carrying prisoners is targeted by a sniper one night. Several prison guards and prisoners die as a result of the attack. The one remaining prison guard Tamon who survived is made a scapegoat and suspended for 6 months but he merely shrugs this off as a long holiday. Tamon isn’t going to let the incident pass by as certain things that occurred during the attack has bothered him such as a name of a person one of the prisoners Goro wrote on the police van windows and an appearance before the attack of a mysterious woman. With these little clues to aid him, Tamon sets out to investigate what went on that night but he may have bitten off more than he can chew as the criminal underworld is determined not to let him interfere in their plans.

With it’s roots set firmly in the Hollywood film noir genre of the 50’s, this fast paced mystery movie which only runs for 79 mins packs in a lot with an engaging but slightly confusing plot (probably deliberately made this way by director Seijun Suzuki), great action sequences, shootouts and some cool characters. It doesn’t waste any time in putting the viewer straight into the heart of the action with the attack on the police van. The story is one that will keep you guessing right until the climax at the train station as to who is behind the attack. All the ingredients you’d associate with a film noir movie is in this movie although I’d say this is perhaps just a tad more gritty because the plot involves prostitution and there’s even a shot of a woman’s breasts. The hero Tamon has to endure several attempts on his life by those that are trying to put him off their scent and it includes a fantastic scene in which he and a woman are tied up inside a tanker truck which is freewheeling on a road with the fuel in the back having been released by the bad guys and set alight. The tension mounts as both try to escape before the flames behind them catches up and makes the tanker explode. This is only one of several fantastic action scenes which takes place. The cinematography is top notch with great use of light and shadow to create the dark mood of the movie and there are some nice visual effects such as looking from the sniper’s point of view of some road signs before the initial attack. Michitaro Mizushima is excellent as Tamon – a hero to root for and who can use his fists to good effect against some seedy characters when he needs to. He goes against the usual characteristics of a film noir protaganist at one point when he explains to a female character that there is good in everybody and that the villains just haven’t awakened that side yet. It just seemed a little out of place in a film noir.

Seijun Suzuki would go on to direct bigger and better movies in the years to come (Branded To Kill and Fighting Elegy for instance) and whilst Take Aim At The Police Van is certainly no masterpiece, it is still an entertaining and exciting movie which is well worth seeing. Recommended.

Sadako’s Rating: 3.5 stars out of 5

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