After their defeat at the hands of the Russians right at the conclusion of Part II, Kaji and a small group of survivors battle through enemy territory as they try to make their way down south and back to their former lives. 160 men from his platoon are dead. Coming across a bunch of Japanese refugees, they struggle to find food and shelter in some dense woods, all the while trying to hide from the enemy. A small group from various other defeated Japanese army units they come across are adamant that they’ll make a final stand even with depleted supplies but Kaji refuses to join them. Kaji is convinced that the Red army is unlike the Japanese army – they look after and treat their prisoners well. Even after a body of a Japanese woman is dumped on a road by a passing Russian army truck with her usefulness to the Russian soldiers having come to an end isn’t enough to make Kaji change his mind. He thinks this is just an isolated incident. After numerous skirmishes and narrow escapes, the 15 strong soldier group led by Kaji happen by chance to see a village. There they find that the village is full of women. The men take the opportunity to have some intimate moments with the women except for Kaji. He will not cheat on his wife. Some of the men want to stay on at the village and Kaji doesn’t object to the idea. He will carry on in his journey to reunite with his wife but that plan is scuppered when a passing Russian patrol appears. The group is all set to attack them when one of the women villagers betrays them. This is her payback as Kaji rejected her advances. Kaji thinks this is the perfect time for them to surrender and this he does with the rest following suit. Shipped off to a POW camp, Kaji comes across an old enemy of his who wants revenge. He makes life tough for Kaji. Finding that nothing is any different in the Russian side than it is in a Japanese POW camp, Kaji is set to break out on his own but not before he has settled an old score. Will Kaji manage to escape sucessfully and finally reunite with his wife Michiko?
The last part of this extraordinary trilogy is probably the best movie out of them all. I expected a happy conclusion of sorts but I was wrong. Instead it gives a gut wrenching finale that doesn’t give you the heart warming feeling that you thought you might be getting. I was hoping that Kaji’s torment would end with him back in the arms of his trusted wife but we are denied that happy ending. The story comes full circle as he finds himself entrenched in the very network of activity that he tried so desperately to both avoid and restructure, while enduring the same labours as the Chinese men he fought so bravely for in the first movie. His socialist philosophy is finally broken when he realizes that Stalinist Russia is NOT a friend to the people. At the climax Kaji is but a mere shell of a man – shuffling through the snowy landscape with the only thing making him go on is the thought of seeing his wife again. The viewer has become so attached to him and his struggle, that we begin to feel similarly, and as a result we are left with one of the most moving endings ever. I won’t spoil anything, but any viewer will be floored by it. This is heartbreak cinema at its most crushing and honest.
The acting is inspiring by the entire cast but the whole trilogy has been all about the brilliant Tatsuya Nakadai as Kaji. Kaji is certainly a remarkable character throughout the epic trilogy and we’ve witnessed how he has changed considerably from the first movie when he was in charge of the mining plant. His growth as a leader, as a torn conscience, as a rejector of anything regarding duty and service to country just to survive, as a now somewhat accepted killer and finally as a lost soul unable to get back to his old life with Michiko. It’s an incredible transformation over the course of the trilogy that marks Kaji as one of the greatest cinema characters to come out of Japan.
One of the greatest anti-war trilogies you’ll ever see. Masaki Kobayashi has to be commended for his remarkable directing and compelling storyline. The cinematography for the trilogy has been so outstanding. Highly recommended.
Sadako’s Rating: 5 stars out of 5